What’s in a word?

It has taken me a while to grasp this – I am a bit slow.

If you look at the entry list for the Artemis TRANSAT, it reads, for example,  Gitana Eighty – Loick Peyron, Telecom Italia – Giovanni Soldini.  

On the other hand, in the entry list for the JesterChallenge, it’s the other way round – the sailor is the entrant, the boat his/her vessel.  

This is because the entries to the Artemis TRANSAT single-handed race are Team entries; the entries to the JesterChallenge are Single-Sailor entries.  

Both events have instrinsic value, but it is the concept of single-handedness that differs. The meaning has become confused – in the context of this particular race, at least.

I look at the entries in the TRANSAT as a small boy must look at Formula One cars – from afar.

I look at the entries in the JesterChallenge with genuine understanding and fellow feeling.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Artemis TRANSAT

On Sunday, Peggy and I sailed (and motored a fair bit) out of Plymouth with the fleet to watch the start of the Artemis Transat.  

The wind was light, the sea was calm and the sun shone. Perfect for the watchers – not so good for sailors in a hurry.

We stayed back, sailing gently to and fro a mile or so out from Penlee Point at the western end of Plymouth Sound. As we weren’t going anywhere, it was a chance to try the smaller/taller jib (as opposed to the shorter/wider jib) in light conditions – (good result).

Most of the watching boats seem to get in close but I reckoned if we stood back we would see more of the spectacle and not get caught up in the start, dropping back through a fleet that would be moving much faster than us.

 

 We had been rewarded by one or two of the IMOCO 60s coming over in our direction as they prepared for the start. This was Cervin EnR – Yannick Bestaven

 

 BritAir – Armel Le Cleac’h, tacked early, presumably to avoid the heavy boat wash that the main fleet were experiencing. Despite little wind, these powerful yachts sped gracefully across the water.

 

This is the race that started in 1960 with Hasler and Chichester. It’s a perfect example, of which there are many in modern sport, of how the “higher, faster, stronger” ethic eventually changes the original premise of the competition so that it becomes a completely different event.

One man/woman and his/her boat is no longer an option – it is now sponsorship and shore teams and pre-race villages and television and online race viewers and much tactical analysis. I am currently following the competitors as they make their way across my screen. I can see the weather they are experiencing and read their reports from a few hours ago. I can even watch them on videos and listen to those reports as they are made. I admire the sailors for their skill, their courage, their persistence.  I am fascinated, of course, and completely hooked.

However, this is not single-handed sailing in the sense I have always understood it. For that, I look towards the Jester Challenge and the Azores race at the end of the month.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The gannets started it

The gannets started it.

We were about three miles off Polperro, heading towards an invisible Rame Head. Low cloud was hiding the cliff-tops, cutting the view with an unnatural straight line. The colours of the day were shades of grey. There was no one but us and a lone fishing boat, some way ahead off Looe Island.

 

In theory, 090 degrees would place us just south of Rame, but not in this wind, in this tide, in this visibility, at this speed – 020 (if she would head that) to take us well south until we could see it.

 

We had been watching the gannets since we left Fowey, their brilliant white backs shining, contrasting with the ink black tips of their long narrow wings – not fishing but flying in two and threes, vigilantly, almost lazily.

 

All at once, everything changed. Action crackled in the air.

 

Over there, they were diving.

 

“Dolphin!” Tony, at the helm, pointing towards the shore.

“There’s another . . . . and another . . . . they’re everywhere!”

 

Sure enough, everywhere you looked, a dark, finned, back would rise easily out the water and slip back, leaving an emptier surface . . . to be replaced by others near and far.

 

I grabbed the camera, forgot to put it on video record and went forward.

 

From the pulpit, I watched three dolphins, two of them twisting around each other, shoot under the bow, then another – not breaking the surface – just looking. Out of the corner of my eye, not six feet away, a shiny back had turned and was swimming alongside us. Two more crossed beneath me.

 

 They won\'t keep still!

 

 

The sea was full of movement. The excitement was contagious, you could put out a hand and feel it. You could smell it.

 

The dolphins were doing what comes naturally, of course – herding a shoal of (probably) mackerel. Spinning it around, pushing it, playing with it. Lunch in grand style.

 

In the few minutes it took us to appreciate the moment, they were gone, moving west behind us – all that activity rapidly slipping astern. We quietened down. Time to put the kettle on and talk about it.

 

Forget our strictly human feelings, we just happened to be there, a bit part in a world that is bigger than us, older than us – one that constantly needs tending.

 

But . . . to stand at the bow of your own boat in a sea full of dolphins!! Can it get much better than that?

A Little Learning

I woke up in the middle of the night in a hot sweat, convinced that we’d fouled the forward warp and Blue Mistress had swung with the tide, hard against the boat in front of us. Somehow every boat in the area had sprouted a deckload of people – all laughing at us. The fact that I was lying in my own bed, thirty miles from the boat made it no less real.

The problem for the following day was that there would be a particularly high spring tide and my single crewman – (my son), was going to arrive at about half ebb when the weight of tide against the stern would be at its strongest. We could wait for it to ease, but then we would lose precious sailing time. (This is the lot of the weekend sailor).

Blue Mistress is moored fore and aft, with doubled warps, on a line of trots. Mooring this way is secure and safe, but getting on and off it requires some concentration. Like the boats around us, we are moored facing downstream – into the flood tide, and the technique for leaving the mooring depends on whether the tide is ebbing or flowing. 

Normally, we have little problem, but this time the speed of the tide was worrying me – and I like to get it right. Get it wrong, and we contact the boat in front and, maybe, others. At best, this would be untidy; at worst, expensive. 

The plan was to let go both the aft warps before we start, replacing them with a longer, light, slippable warp; and to let go one of the forward warps, while holding the bow close to the forward buoy with the other, able to let it go at a moment’s notice. 

By gently slipping the light stern warp, and easing the tiller to starboard, the stern should turn out into the main stream.  Once well clear of our neighbour, a nudge astern on the throttle should pull us into the main fairway. As we move away, the bow warp is dropped and the stern warp slipped. When clear, we go ahead.  

Sounds easy enough. However, too much stern throttle combined with too much rudder will bring the boat side onto the stream, causing it to slew round rapidly to face upstream. This is manageable when the stream is fairly slack, (I’ve done it before), but with a strong tidal stream, there would be a danger of being carried too close to the other boats in the few seconds between going astern and ahead. Hence my bad dream. 

In the event, we were helped by a light but steady wind pushing us in the right direction. I put the engine slow astern to hold her in the current, we rearranged the warps, and I let the stern warp slowly bring the stern out. At this point, I was still worrying about slewing round because the current was obviously strong, leaving a marked ‘wash’ around the nearby buoys. 

Then I noticed that something else was happening.  

There was none of the expected tight pull on the stern warp. We were held in the current by the engine and the lightest of touches on the tiller was moving her gently sideways.   

Pete let go of the forward warp and I slipped the stern warp, and, free now, still slipping slowly sideways – 20, 30, 40 seconds – still level with the mooring, Blue Mistress was steady and easily controllable.  

Two men, on 25 foot or so of deck, with the ebb tide flowing past, could have been on dry land for the stability and strength they felt beneath their feet. Here was a fine hull shape, working as it was designed to do in wind and water, making the helmsman’s life easy. 

Once clear of the other boats, the engine now firmly ahead, we shot down the line of boats towards the sea. And the moment had gone. 

The young man said, “See, I told you you worry too much. It was easy.”

The older man (in that way older men have) said, “Yes, but you’ve got to do it right. Be prepared for things to go wrong and mostly they won’t but sometimes they will, but you’ve got it sorted.”  

Inside he was thinking, “Yesss – this is why I like this boat. She may not be as light and fast as many of the newer racing-cruisers, but she rewards you with moments of sheer, seamanlike pleasure – and these are the moments I go to sea for.”

Curious dreamer AND practical realist

In my last post – On Becoming a Skipper, there are two adjacent branches of the mindmap: ‘curious dreamer’ and ‘realist’. I have put a key against each one, because I think they are both important. 

You might say: “What! A dreamer and a realist? There’s a crew problem before you start.” Well, yes, there could be, but we are talking about one person – you, the skipper, plus a great deal of common sense. 

The practical realist keeps his/her feet firmly on deck and practices the art of the possible – here – now. The realist says, “This is the problem, these are the current resources available – (time, crew, experience, money). This is the solution, Let’s get on with it.”

The curious dreamer says, “What if. . .?” The dreamer uses his/her imagination and creates a wider framework for the realist to work in. The dreamer in you stretches the boundaries, expands the horizon, looks beyond the present and explores the possibilities. The realist in you expresses the solutions in current time. You need a realist when caught in a gale on a lee shore – although if he had listened to the curious dreamer he might have been able to avoid it in the first place.  

The realist will say, ”Your great-grandfather was an example of a practical man. Look how he coped with that storm.”

The next morning it moderated a bit when we soon got and entered the Bay of Biscay, when the wind shifted around to the South West and blew very heavy and we had to heave to. We found her a miserable sea boat. She would not come up and take the seas end on, but merely fall off and allow the seas to roll over her in the trough of the sea. We smashed away a good deal of the lee bulwarks to try and relieve her. After two or three days the wind veered to the North West, still blowing very heavy, when we had to get her on the other tack and smash away more bulwarks. (here)

The dreamer would say, “But he was a dreamer too. Look how things opened up for him because he signed on for that trip to Shanghai. He saw there were possibilities that would come out of the voyage and he took the opportunities when they came to him. Surely, he was both a dreamer and a realist. The two work together.

He went and told the Captain, when I was called aft and explained to the Captain that I had served 4 years at sea mostly in the Bristol Channel. When I was appointed pilot. We worked down the north shore to the Nash when the wind went a little more to the north, and the next morning we was going between Lundy Island and Hartland Point. We had a fine time down passed the Scilly Islands. The Captain was very pleased with my pilotage and thanked me very much. He hoped to repay me before we parted, which he did by lending me books and instruments and learning me navigation, that, within a fortnight of terminating the voyage, I went in at Plymouth and passed my first examination! (here)

So what of this blog? The realist will tell you, “This is not sailing. This is talking-about-sailing. It’s not the real thing at all.” The dreamer will say, “Ah, yes. But look how the framework changes. Every time I step on board I have a better understanding of what I am doing and a greater excitement in carrying it out. There are possibilities here that I have a mere inkling of, and, if the past nine months are anything to go by, many more that I no nothing about out about yet.”

Yesterday we went to the theatre in Plymouth. On the way we stopped to check Blue Mistress was secure. At 1700 on a Saturday evening in August in one of the crowded anchorages of Devon, in the drizzle and wind, only one boat was away from its moorings. This summer is for the curious dreamers. The practical realists are pacing up and down in frustration.

On Becoming a Skipper

“Make a list. Then work through it.”  

Good advice generally, but a list implies some sort of linear order – one item written after another. However you look at it, your brain makes the items at one end of the list more important than the other. And what happens to the items in the middle? Working through a list takes time, and, the human condition being what it is, the enthusiasm that greeted the construction of the list and dealing with the first entries will wane as time goes on. 

OK, a list works if you can afford to forget a portion of its contents, but what happens if your occupation involves items that are all of equal importance – each relying on the other for success? 

Take, for example, the knowledge, skills and attitudes required to be the skipper of a small boat, particularly if you want to sail single-handed. You need to get it all right, or at least a good enough proportion of it – in your own style. It might be helpful to know what Robin Knox-Johnson or Ellen MacArthur did in similar circumstances but they’re them and you’re you, and the circumstances won’t be exactly the same, and they’re not there to help you anyway. 

So how do you start? Well, “Make a list. Then . . . . .”   No, there’s another way, using a mindmap. 

Below is a group of skills and attitudes for skippers that I first saw listed in a book – (and my apologies for not noting which one), early last year. It struck me as interesting, well thoughtout and a good starting point from which to build my own skills, so I copied it down. Then I forgot all about it. I found it again this week. 

This is an exercise in getting it all together – and keeping it together. It’s an exercise in converting someone else’s thinking into my thinking. If it appears to you to be an exercise in the blindingly obvious, bear with me, some of it is – but these are the early stages of a much longer enterprise. 

Here’s how I’m going about it. 

Step One: Create a new mindmap. Call it, in this case, ‘On Becoming a Skipper’. Add two branches – ‘Practical Skills’, ‘Theoretical Skills’. Add sub-branches for each set of skills, taken from the original list. Now we’ve developed an image of a complex subject which appears all on one screen.  However, at this stage, the content is still someone else’s work.  

01. On Becoming a Skipper
Step Two: Begin to sort the branches by adding icons based on your own style and needs. Pencil = work on this, cross = not ok, tick = ok and so on.  
02. On Becoming a Skipper
Step Three:Think about it for a while. A couple of days after producing this, I added ‘rigger’ and ‘purser’, the latter being very relevant at the moment.  The point here is that it is not a fixed picture, we can alter it at will. 
03. On Becoming a Skipper
Step Four: Rearrange the skills and attitudes into some sort of order that suits your current needs and style. What are you going to do with what you are learning here? (Or, in this case, what am I going to do?) 
04. On Becoming a Skipper
Step Five: Keep this image at the front (or back) of your mind. Every now and then something else will occur to you and you can add to it. This is a work-in-progress to maintain a balanced approach to growing as a skipper in an age when traditional apprenticeships are not always available or appropriate. The sea is still the sea, sailing is still sailing, and we all need to learn the same stuff regardless of the way we do it. 

As for me, I shall revisit this file regularly. I can see where I need to be working now and I shall add another level of branches, going deeper into each topic, but always the overview will be there.

Maybe we shall look at it again later in the year and see what’s happening.   

Five things good. five things less good

Five things I was pleased with last trip:

1. We left the mooring neatly with a new crew.

2. We hoisted the mainsail without catching the battens in the lazy jacks. (How easy was that?)

3. I really enjoyed sailing with this crew too. In the past three weeks I have sailed with eleven different crew members – all family, only three of whom had been in the boat before. Being with family is great – skippering them could be something else. In the event, all was well.

4. We returned to the mooring with everyone knowing what to do – and doing it, even though I was the only one who had done it before. The system works!

5. Curiously an accident proved a blessing. A lifejacket was dropped in the water and auto-inflated. Well, now I know they work! And I now know how to reset them.

 Five things I could have done better:

1. I went below without checking whether any boats were closing on us, and was called up in a hurry to find a 20 foot closing fast on the port tack to our starboard tack. He seemed not to notice. I should have been more vigilant for the new crew.
IMG_0512
2. The tide was taking us down onto the Shag Stone and we ended up starting the engine to weather it. We could have made it under sail with a little more forethought.
IMG_0506
3. I couldn’t make up my mind how best to set the sheets on the genoa – when to run them inside or outside the shrouds. I think we could have sailed more effectively to windward. May be that would have made the difference at the Shag Stone.

4. I had planned to keep a detailed log as a navigational exercise even though it was a day sail – and didn’t. I do need the practice.

5. I also need a checklist for leaving the boat – this was the second trip running I left something on board and had to row back to the mooring to fetch it.

The Folksong 26 (sic)

Blue Mistress back on mooring 1
The main reason I started this blog was to find out about the origins of the Folksong class, and hence my own boat ‘Blue Mistress’. I have learnt a great deal and met some good people from doing so, but after nine months I still only had part of the Folksong story. 

On Saturday, thanks to a small note in Sailing Today, I found a new website www.yachtbrochures.co.uk, run by Mike Davies. Included in a very long list of class names is “Folksong, Eric Berquist, 1983”. Search over.  Mike replied almost immediately to my email and the transaction was completed within a few minutes. An excellent service. Thank you. 

So I have received a brochure written for the Southampton International Boat Show, Mayflower Park, 17-24 September 1983 (Stand B10).  From this I learn that the Folksong was originally sold as “a thoroughbred cruiser/racer you can afford”. 

“Based on the lines of the Folkboat, the FOLKSONG embodies the three principle virtues of that classic boat – looks, performance and economy.”

The builder was Eric Bergqvist, Boatbuilder, The Square, Lymm, Cheshire. 

“Specifications: LOA: 25ft 2in;  LWL: 19.8ft;  Beam: 7ft 3in;  Draft: 3ft 9in;  Ballast: 2500lbs; Hull: GRP, 7oz from deck to waterline, 11oz below; Deck: glass fibre sandwich construction with built-in non-slip surface; Cockpit: self-draining;  Sail area: 280 sq ft;  Engine: provision for an outboard well or an inboard engine.” 

“The Folksong is based on the lines of the Folkboat which was designed in 1941 for a Swedish Yachting Press competition. Over 2000 Folkboats have been built embodying the traditional virtues of a long keel, conventional outboard rudder and seven eighths rig with a sailing performance to match. Although the Folkboat design was intended for wooden construction, clinker and carvel, three fibreglass versions have since been moulded. The Folksong is the only one designed specifically for home completion.

In order to retain both the classic lines and the excellent performance of the craft no attempt has been made to cater for standing headroom. If necessary though, this could be achieved with the use of a spray dodger. The accommodation is not spacious but the layout is flexible. With thoughtful planning and use of timber and fabrics you can create an interior which is warm and comfortable as well as practical.

Twenty five feet is the minimum length of yacht generally considered capable of continental cruising without bravery or heroics. The Folksong is an uncomplicated yacht – economical but with no compromise on safety.” 

There’s more. If you own a Folksong and would like to discuss it, please contact me. Alternatively, I recommend Mike Davies’ website.