maritime history

For love of a boat – Keep turning left

/ Bill

I’ve been watching and thoroughly enjoying Dylan Winter‘s short videos of his trip round the UK.

The series is called ‘Keep Turning Left – around Britain in a small boat’.

The boat is 19 foot. He starts in Bembridge on the Isle of Wight. I have just watched No 16 – we are in the Medway!

I am not convinced by every one of his opinions, but his description is excellent and the camera work great – particularly of the working boats and especially the Thames barges.

Gentle stuff to idle away an evening – passed parts of the country I have visited recently.

For love of a boat – photography

/ Bill / 129 Comments

I have introduced a new category in my links column – Marine photography.

Over a year ago, I started the ‘For love of a boat’ series. It originated during a walk on a Croatian beach in June 2008.

Since a child I have been fascinated by small inshore craft and will seek them out whenever I can. I have photographed them, watched them, read about them. They were always there, there was never a shortage. But now, in later life, I have woken up to the fact that the shapes I love are disappearing – fast. Others are taking there place but in very different times.

In that first post, I wrote:

“The problem is this: here is a fine-looking, well-built, working boat sitting on a beach.

It’s not in its original condition. The hot sun shines on it every day, the seams have opened, a piece of the forefoot has come away. Whether this is repairable or not is irrelevant, this boat is no longer required for its original purpose and it will finish its life as a theatrical prop on a beautiful beach in Croatia.

So, do we care? After all, there are plenty of other boats in the world. What’s special about this one?

Well,  somebody had the idea to build it. Perhaps he designed it – or perhaps he took the lines off another boat-  (I say ‘he’ because it’s less likely in this country to be ’she’ – but not impossible). Somebody sawed the timbers and found the rest of the materials required, then they built it. Maybe he sold it or maybe he used it himself to fish from, and certainly he would have put in the time to maintain it.

You see, this boat has gathered a history around it. It is the story of a life lived on the water. We may never know the details of that story, but it deserves some respect and, at the very least, it can be preserved in a picture.

I hope to post pictures of similar boats (most of them in a better state than this one) at regular intervals.”

I have been posting pictures ever since – more or less weekly. There are now well over 100 images in the back posts of this blog, and rather than invite people to browse back through them, I have posted them all in one set. Each time I add a new Love of a boat post, the image will automatically add to the set.

I have also discovered other people who share my passion, notably AA, whose insight into Greece and Greek boats has been another revelation. He also has built a similar set of images, and has kindly given me permission to link to it.

At the same time there are fine sets from Kostas Sarris and Simone Pierotti.

As time goes on I shall add sets relevant to the other themes in the blog, notably the Folksong, and the Ceres.

My interest in photography is in its ability to inform and to record, as well as in its status as an art in its own right.

For love of a boat – Dungeness 2009

/ Bill

We walked along the shingle at Dungeness from the Britannia Inn to the Pilot Inn keeping close to the surf.

The sun shone and a heavy north easterly breeze made for a bracing walk.

~~~

RX  is the code for Rye and Hastings on this south coast.

At Hastings and here at Dungeness the boats are not moored in port, but hauled up the shingle beaches – either by heavy winches or by caterpillar tractors.

The distinctive sterns are designed to take the surf at launch and haul-up.

What surprised me – (perhaps it shouldn’t have), was the identical fishing boat fifty yards along the beach.

The design is timeless – only the materials have changed.

For the origins and full set of images in this series, here

From the east coast

/ Bill / 1 Comment

Back online again.

14th September

There is no internet connection here. I have a chance to finish a couple of long posts that I started a while back and will feed them through as and when.

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We are on the east coast – in a cottage looking down onto Southwold beach. We fall sleep to the sound of waves breaking on sand and wake to the sun rising out of the sea – well, we would do if the cloud hadn’t followed us from the Wescountry.

The lows that have affected the west all summer have given way to high pressure, causing a layer of cloud over this part of the coast and a very bracing north easterly. It does look better this morning, patches of blue sky, the sun spilling intermittently on the water and the wind lighter.

Yesterday, a blue yacht about the same size as Blue Mistress motored up the coast, pitching into the seas, a lone figure at the helm, mainsail ready. I guess he had the tide but it looked a long hard slog into the wind.

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Ships off Southwold 2009

The horizon here is full of ships. At night their lights spread into the distance – twenty four vessels at the last count.

This is a sure sign of the recession.

We have come all this way to see exactly what we see each night off Teignmouth. There are twelve vessels there, moored closer inshore.

The last time this happened was in the early nineties.

When the ships disappear, then we will know the recession is almost over – but not until.

For love of a boat – Trechandiri follow-up

/ Bill / 2 Comments

AA comments on my Trechandiri post:

“The word Trehandiri (Τρεχαντήρι) is loosely translated to ‘A fast boat’ which is kind of obvious for the first picture (a long and narrow boat that does not upset the water around it too much, a bit like the rowing skiffs) but not so obvious for the boats in the second picture that look more stable (wide) than fast. So perhaps they were termed ‘Fast Boats’ because they were also powered by motors.

The designers had to strike this balance between speed / stability / useful volume (after all you still need space for all the fish harvest 😀 )…These dimensions and other design elements were defined (or rather homed in) without mathematical models and simulations in different sea states at expensive experimental facilities.

I think that this is a good reason to preserve the boats and relevant pieces of the art from that era…(and of course not only the Greek fishing boats).”

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I think AA has got it exactly right – “These dimensions and other design elements were defined without mathematical models and simulations in different sea states at expensive experimental facilities.”

Boat-building was an art before it became a science.

Men looked at the sea, applied their common sense and, using tools that they created themselves, turned local materials into craft that had value and beauty by virtue of their function.

Did they get it right first time? Probably not. But they learnt by doing. Shapes and designs evolved . . .  and kept on evolving, handed on from generation to generation.

It is the vessels that are the results of this process that are being lost today. (Yes, there are still people building in this way in some parts of the world. But they are getting fewer and fewer).

Science has created a different process. The generation thing is not necessary any more – at least in the sense of person-to-person. It is more technical advance-to-technical advance. This may be spelt out in days or weeks rather than years. For example, every year new advances in technology create new products which lead to new fashions that can be seen everywhere. This year seems to be the year of the small RIB, the sit-on kayak and some very fast boats – as well as touch-screen monitors and AIS sets.

That’s great. As someone, who taps at a keyboard, posting yet more words on the internet, I like technology – and use it more and more.

But, in posting the ‘love of a boat’ series, I have noticed how technology is occluding this one important aspect of our lives: our respect for the deeper layer of human endeavour born of past generations, that lives in the present and will hopefully be passed on to our children.

It isn’t that we do not have the ability to be creative nor the willingness to gain skills, nor even that we do not care, it is that we are being hurried along a certain path that requires us to follow rather than to lead. We barely have time to assimilate one advance before the next one leapfrogs it. The pace of change is increasing.

The price of this is in many, many small losses that individually can be dismissed but in the end will add up to an impoverished society.

The demise of the ‘traditional’ craft is one of these losses.

This:

becomes this:

by doing nothing.

When AA says “I think this is a good reason to preserve the boats and relevant pieces of the art from that era”, I absolutely agree with him.